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“The Danish Pavilion unveils Inuuteq Storch’s Rise of the Sunken Sun, an installation of photographic works highlighting Greenlandic life and engaging in a decolonial process.”
“Amidst the current Dutch political climate, where people’s differences seem to be a motive for exclusion and divide, at 1646 the Danish artist Rasmus Myrup (b. 1991) brings to life a group of Nordic folkloric characters. They invite us to think about the need for imagination and how diversity needs to be celebrated and protected.”
“Sticks on Fire, Hands in Bloom is an exhibition by Olivia Rode Hvass consisting of painted walls, flora and burned sticks collected in the Gangwond-do province. work-gloves and wooden shoes.”
“14 spirende kunstnere fra Danmark og Sydkorea inviterer publikum til at udforske den danske og sydkoreanske kultur i Our Anthology, en rejsende non-profit udstilling.”
“Capital is dead labor, which, vampire-like, lives only by sucking living labor, and lives the more, the more labor it sucks,” claimed Karl Marx in Capital. A vampire, a mosquito, a bloodsucker, a consumer, a capitalist – at-the-border, behind-the-border, territories, power, war, colonialism, agriculture, sacrifices, survival.”
“Quoting the famous hydrofeminist thinker Astrida Neimanis, we question the meeting points and transition zones between “me” and “you”, “us” and “them”, “here” and “there”, with the purpose of breaking down boundaries and finding common ground within the in-between, the transitory, the fluid state of mind and the liquid becoming of place.”
“KIMIKs årlige udstillinger er den bedste mulighed for at se kunstværker af mange forskellige kunstnere. Udstillingerne er kendetegnet ved mange forskellige værker, der spænder vidt, både i materiale og motiv. Kunstnerne viser i år værker under titlen ”Ukioq / Vinter”. Udstillingen giver indblik i den grønlandske kunstscene anno 2023, og er overvejende en salgsudstilling.”
“Subpoena is about which authorities we listen to, and how we give ourselves and others a space to listen to our bodies, in a world where the digital and the presence of technologies leaves its mark on our understanding of intimacy. How we bring the value of calm, health, and compassion into technologies as well as into our relationships and into ourselves.”
“BLEED! BREED! BREAD! is a solo exhibition by Sabine Wedege. The title manifest itself as a yelling alliterative verse – three words which each carries its own references, associations, and widely different meanings. But get merged into common denominators such as culinary culture, origin, selection, survival, rituals, and economy.”
“Både Jeannette Ehlers og Thomas Kilpper opfatter deres kunst som et aktivt bidrag til forhandlingerne i de aktuelle konflikter i verden. PerspektivRegion, et projekt, som reflekterer over den fremtidige udformning af livet i den dansk-tyske grænseregion, kan ikke ignorere disse konflikter. Tværtimod. En fredelig fremtid er ikke længere tænkelig hvis ikke vi giver afkald på privilegier og sammen beslutter at blive et ansvarligt verdenssamfund.”
“Where the Waters Run Together er en atelierudstilling med billedkunstnerne Ian Jehle og Marie Birkedal, der viser en serie parrede malerier en udløber fra duoudstillingen Never Let Me Go i mere intime rammer. Det er en udstilling om maleri og om de to kunstneres praksis.”
“Does it even make sense to keep counting the catastrophes that we are facing today? Is the current emergency rather one big crisis of our collective inability to imagine the future? Franco “Bifo” Berardi argues that: ‘The future becomes a threat when the collective imagination becomes incapable of seeing alternatives to trends leading to devastation, increased poverty, and violence.’”
“The fourth exhibition of the WAMx 2022 exhibition series Institute of Coexistence presents Georg Jagunov’s project Ancylus and Dana, which reflects on how we can at present day reconnect with geological and biological domains that have been around for many millions of years.”
“Udstillingens titel, Never Let Me Go, kommer fra Kazuo Ishiguros roman, der foregår i en alternativ verden. Hovedpersonerne er tre venner, der er født alene med det formål at være organdonorer og derfor ved fra en tidlig alder, at de ikke vil leve til over 35. På trods af sin sci-fi, dystopiske præmis, diskuterer den ikke videnskab eller politik, den er en beretning om tre venners liv, fra barndommen og indtil hvad i denne verden beskriver som deres "afslutning" hvad vi ved faktisk betyder døden.”
“The dark ink-like substance ran down my finger. Had it not been for the stark smell, I would have licked it. The opacity of its blackness felt very sensual. And in my mind the oil naturally connected to the material of the leather shoes that held the liquid, bending the fluid into something solid, without hesitation or tension.”
“You realize you see others live your dreams instead of reaching them yourself.
You're always wishing you had what they have.
You always encourage people to take chances you won’t.
You have intricate fantasies about being someone else.”
“After three years of studies at the BFA programme at HDK-Valand we, the graduating students, present fifthteen individual works of art in the exhibition Rugged Terrain / Confident Stride. Our art works at Konstepidemin address concepts such as digitalism’s relationship to identity, human’s position in nature and the gallery space as a tool for quality assurance.”
“Uffe Isolottos totalinstallation inviterer publikum ind i en hyperrealistisk verden centreret omkring en kentaurfamilie og deres hjem. Scenen er hjemsøgt af en dyb usikkerhed, og det er umuligt at afkode, om det er tragisk eller håbefuldt. Verden virker velkendt, men er ikke længere sig selv.”
“Göteborgs Konsthall continues its long-running tradition of presenting the master students of HDK-Valand’s MFA Fine Art programme.”
“As scientific exploration reaches the limits of the detectable and comprehensible, it too relies on the creativity of scientists and artists to push boundaries and interpret the Universe.”
“Under Kulturnatta den 29 oktober bjuder kandidatstudenterna i Fri Konst på HDK-Valand in till öppningen av utställningen Restless Garden i Göteborgs Botaniska trädgård.”
“Nuuk Nordisk Kulturfestival starter den 28. oktober under temaet Journey // Angalaneq // Rejse. De koloniale forbindelser, rejsen, ekspeditionerne og kulturmøderne er derfor gennemgående temaer for dette års udstillinger på Nuuk Kunstmuseum.”
“Mandag d. 21. juni åbner en stor soloudstilling med Aka Høegh på Nuuk Kunstmuseum. Udstillingen Malugisartakkat // Sansinger viser et bredt udvalg af værker af Aka Høegh. Det tidligste værk på udstillingen er et grafisk tryk fra 1973, det seneste oliemaleri er knapt tørt.”
“In 1917, the Danish tennis player Leif Rovsing (1887-1977) was banned from all tournaments because rumours about his homosexuality had begun to circulate. During the following years, he tried to contest the decision again and again, but with no luck.”
“Fra april 2019 til maj 2021 inviterede kunstner Gudrun Hasle i samarbejde med Nuuk Kunstmuseum en række kunstnere fra forskellige lande til at skabe et flag til flagstangen ved Holms Hus midt i Nuuk. Det kom der 13 kunstflag ud af, som nu samlet bliver vist på Nuuk Kunstmuseum fra 3. juni til 13. juni 2021. Alle kunstnerne reflekterede over, hvad et flag var, er og kunne være.”
“The White Exhibition by Hesselholdt & Mejlvang analyses whiteness and its underlying power structures. Despite the serious topic, the collective’s approach is playful, approachable, and visually engaging. Their installation is activated through daily live performances, and the exhibition extends outside the museum in the form of artworks to be printed in Espoo’s local newspaper.”
“Con-nect-ed-ness: Den danske Pavillon på arkitekturbiennalen i Venedig sætter i år fokus på menneskers forbundethed med hinanden og med naturen i en totalinstallation, der består af et gigantisk kredsløb af vand lokalt opsamlet i Venedig.”
“Students in their second year of Fine Art at HDK-Valand are inviting you to the group exhibition Can we take this offline? We present separate works with the common denominator being the collaboration necessary to grow and evolve as a group of artists in training.”
“How can we generate new ideas and actions for a sustainable world? How can art act as stimulant for a more sustainable way of living? Sustainable Societies for the Future springs from one of the most complex and urgent challenges of our day.”
“Works depicting nature and landscapes are perhaps one of the longest-standing motifs of the art historical tradition, inspiring philosophical thought and depictions from cave paintings through to Romanticism and beyond. And yet today, even with the advent of contemporary techniques and technologies, works such as this are all too often overlooked if approached too conventionally.”
“Sydhavn Station er glade for at præsentere Sorgenfri på det kunstnerdrevne Galleri CC i Malmø. Vi har valgt titlen Sorgenfri, som er navnet på området i Malmø, hvor Galleri CC ligger. Nogle af udstillingens værker forholder sig til stedet – og nogle tager udgangspunkt i Sorgenfri som et ord eller en stemning. Sorgenfri siger, at noget er fri for sorg, sorger, bekymringer, men måske lyder det mere som et ønske og et håb, end som en konstatering.”
